How Do You Raise a Prodigy? asks Andrew Solomon in the New York Times Magazine.
Chloe Yu’s son, Marc, “picked out a few tunes on the piano with two fingers” when he was “almost 3.” As a preschooler, he began performing at retirement homes. By 5, he added the cello.
At 6, Marc won a fellowship for gifted youth that covered the down payment on a Steinway. By the time Marc was 8, he and Chloe were flying to China frequently for lessons; Chloe explained that whereas her son’s American teachers gave him broad interpretive ideas to explore freely, his Chinese teacher taught measure by measure. I asked Marc whether he found it difficult traveling so far. “Well, fortunately, I don’t have vestigial somnolence,” he said. I raised an eyebrow. “You know — jet lag,” he apologized.
Marc was being home-schooled to accommodate his performance and practice schedule. At the age of a third-grader, he was taking an SAT class. . . . “In America, every kid has to be well rounded,” Chloe said. “They have 10 different activities, and they never excel at any of them. Americans want everyone to have the same life; it’s a cult of the average. This is wonderful for disabled children, who get things they would never have otherwise, but it’s a disaster for gifted children. Why should Marc spend his life learning sports he’s not interested in when he has this superb gift that gives him so much joy?”
. . . Marc sat on a phone book on the piano bench so his hands would be high enough to play comfortably and launched into Chopin’s “Fantasie-Impromptu,” which he imbued with a quality of nuanced yearning that seemed almost inconceivable in someone with a shelf of Cookie Monster videos. “You see?” Chloe said to me. “He’s not a normal child. Why should he have a normal childhood?”
Leon Botstein, president of Bard College, a conductor and a former wunderkind, thinks the U.S. education system has little tolerance for spiky genius. “If Beethoven were sent to nursery school today, they would medicate him, and he would be a postal clerk.”