Stop sneering at art history majors, writes Virginia Postrel on Bloomberg News. Pundits blame underemployed college graduates for picking impractical majors, she argues, citing Bill Frezza’s attack on the college entitlement mentality in Real Clear Politics.
“Many people that go to college lack the smarts and/or the tenacity to benefit in any real sense,” he wrote. “Many of these people would be much better off becoming plumbers — including financially. (No shame in that, who’re you gonna call when your pipes freeze in the middle of the night? An M.A. in Italian art?)”
Only 12 percent of college students major in the humanities, a tiny fraction in art history. The most popular major is business. Add in economics and STEM (science, technology, engineering and math) and nearly half of graduates have practical majors. “The rest, however, aren’t sitting around discussing Aristotle and Foucault.” Many are studying health, education and graphic design, fields they think will lead to a “practical, job-oriented credential.”
Nobody knows which subjects will turn out to be “right” in the coming decades, writes Postrel, who earned an English major in the late ’70s. Her practical skills — excellent typing and journalism — are now obsolete, or nearly so.
The skills that still matter are the habits of mind I honed in the classroom: how to analyze texts carefully, how to craft and evaluate arguments, and how to apply microeconomic reasoning, along with basic literacy in accounting and statistics. My biggest regret isn’t that I didn’t learn Fortran, but that I didn’t study Dante.
Unfortunately, many college students don’t learn analysis or argumentation. They lack the broad knowledge that makes it possible to “figure out what you don’t know and build on what you do know to adapt to new situations and new problems.” Frezza is talking about people who lack “smarts” and tenacity and practical skills. There are a lot of those folks out there, even if few of them studied Italian art history.
The argument that public policy should herd students into STEM fields is as wrong-headed as the notion that industrial policy should drive investment into manufacturing or “green” industries. It’s just the old technocratic central planning impulse in a new guise. It misses the complexity and diversity of occupations in a modern economy, forgets the dispersed knowledge of aptitudes, preferences and job requirements that makes labor markets work, and ignores the profound uncertainty about what skills will be valuable not just next year but decades in the future.
Pundits “can experiment on their children,” but the rest of the population is not “lab mice,” Postrel concludes.
One of my daughter’s friends majored in art history (on her parents’ dimes). She’s now supporting herself as a prop designer for independent movies. If she’d tried for a STEM major, she’d probably have flopped.