Ta ta, plaster saints

Good heavens! Julie Burchill, on her way to a job at the Times (of London) says goodbye — and good riddance to her Guardian readers, “all-round, top-drawer, plaster saints.” Burchill devotes her farewell to an analysis of anti-Semitism as the personal pretending to be political.

I can’t help noticing that, over the years, a disproportionate number of attractive, kind, clever people are drawn to Jews; those who express hostility to them, however, from Hitler to Hamza, are often as not repulsive freaks.

Think of famous anti-Zionist windbags – Redgrave, Highsmith, Galloway – and what dreary, dysfunctional, po-faced vanity confronts us. When we consider famous Jew-lovers, on the other hand – Marilyn, Ava, Liz, Felicity Kendal, me – what a sumptuous banquet of radiant humanity we look upon! How fitting that it was Richard Ingrams – Victor Meldrew without the animal magnetism – who this summer proclaimed in the Observer that he refuses to read letters from Jews about the Middle East, and that Jewish journalists should declare their racial origins when writing on this subject. Replying in another newspaper, Johann Hari suggested sarcastically that their bylines might be marked with a yellow star, and asked why Ingrams didn’t want to know whether those writing on international conflicts were Muslim, Christian, Sikh or Hindu. The answer is obvious to me: poor Ingrams is a miserable, bitter, hypocritical cuckold, whose much younger girlfriend has written at length in the public arena of the boredom, misery and alcoholism to which living with him has led her, and whose trademark has long been a loathing for anyone who appears to get a kick out of life: the young, the prole, independent women. The Jews are in good company.

Columnists don’t write like this in America. It just isn’t done. Except on blogs, of course.

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  1. It could, of course, be that Jews seek out and appreciate this sumptuous banquet of radiant humanity. Add my wife to this list.